Moderator: Dictators in Training
arlos wrote:Yuck. That's like learnign all your Geology from "The Core" or all of your environmental science from "The Day After Tomorrow", both of which were spectacularly bad, science-wise.
You want to watch a Science Fiction movie that gets its science right, go watch 2001.
-Arlos
Ginzburgh wrote:What part of 2001 are you referring too Arlos?
The height of lunar mountains was overestimated, as the film was made before the lunar expeditions of the Apollo program, and because meteoric erosion was underestimated.
The gravity in Clavius base simulates that of Earth's rather than lunar gravity, although it is conceivable that the briefing takes place in a centrifuge, simulating normal gravity.
The thermal radiators on Discovery One, originally intended to be included, were eventually removed from the design because Kubrick felt they looked too much like wings.
In the EVA shots of "Discovery One," the background stars are seen to be slowly moving in relation to the ship. This is inaccurate -- the stars are too far away and the ship's speed too slow in relation to them for them to appear to move. Kubrick was aware of the inaccuracy of these shots but ignored the issue for artistic license, because if presented accurately the shots lacked visual movement, looking like still images. However, another interpretation is that the entire Discovery stack rotates end-over-end and the "camera" is rotating synchronously with Discovery against the fixed stars.
The dust blown up by the exhaust of the lunar shuttle is seen to billow up from the landing pad, rather than radiate out in straight lines, as would happen in the near-vacuum of the lunar surface.
A further inaccuracy seemingly ignored by many commentators is the varying phases of the Earth as seen from the Moon during the landing maneuvers of the Aries 1B moon ship (an error of continuity as well as science).
There are various places in the film where planets "magically" align, for artistic purposes, in defiance of reality.
In the sequence in which David Bowman blows the hatch on his space pod to make an unprotected entry to Discovery's airlock, there is a shot with Dave rebounding in the airlock chamber, while his space pod is still sitting just outside the airlock door. Since the pod is not fixed to Discovery, the blowing of the pod's hatch should have caused the pod to move away on the thrust of its escaping atmosphere—though rather slowly, given a rough estimation of the mass and speed of ejected air (and Bowman) in relation to the mass of the pod. This being said, it is not impossible that the ejection procedure involves automatic compensation by the thrusters of the pod, as in stationkeeping.
There is a somewhat famous, though small, technical error when Heywood Floyd is flying to the moon. Supposedly in a weightless state, he sips through a straw, and when he lets go of it, the fluid slides back into the container. This is not necessarily an error, however. Although there would be no gravitational force to pull the fluid in space, Floyd might have created a slight vacuum in the container when his lips were on the straw. This could have been sufficient to pull the liquid back into the container. Another explanation for this might be that the tips of the straws seem to be fitted with some types of small valves which, ideally, would prevent the liquid from escaping once the sipping was over.
The Centrifuge in Discovery One – seen here, astronaut Frank Poole is jogging around its circumference like a hamster in a cage.Though the crew quarters in the spaceship Discovery are arranged in a rotating wheel to simulate gravity, which is often overlooked in science fiction, the wheel's small radius would require a fairly rapid RPM (five to ten RPM depending on the actual radius) to produce earth-like gravity. It is suggested that the human body becomes dizzy, nauseated and disoriented when exposed to high Coriolis forces, and few if any humans could become accustomed to high levels of rotation. In addition, the amount of gravity exerted on the human body would vary between the feet, waist and head. A better design to reduce the gradient of centripetal force would have been to rotate the entire ship, and have the crew section and the drive section swinging from the central AE-35/Antenna structure tethered by strong cables. However, this is assuming the crew quarters rotate to simulate Earth gravity. Were the purpose to simulate, say, lunar gravity, the section could rotate much more slowly.
In one scene, a flight attendant grabs the pen of a sleeping Heywood Floyd as it floats in zero gravity inside a spaceship cabin. The pen is rotating, but it is not rotating about its own center of mass; instead, it is rotating about a center that is significantly external to the pen. This happens because, in reality, the pen was mounted on a large, transparent, rotating disk from which the actress playing the flight attendant plucked it, and it was not mounted at the center of the disk. In an actual zero-gravity environment, some force would have to be acting upon the pen in order to compel it to rotate around anything other than its own center of mass.
Vivalicious wrote:Lots of females don't want you to put your penis in their mouths. Some prefer it in their ass.
Vivalicious wrote:Lots of females don't want you to put your penis in their mouths. Some prefer it in their ass.
Lyion wrote:Unfortunately, Arabs are notorious cowards and these are people who are easily knuckled under.
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